The De Young Museum in the News: View articles from local news organizations following the history of the new Museum and broad spectrum of viewpoints on the project's site, design, funding, and impact on the city of San Francisco Case Study Process: View the case study team's minutes from meeting with various parties involved in the project Internet Resources on the De Young: Follow links to web sites which provide additional facts and opinions about the Museum, including the web site of the project's owner, Fine Arts Museums of San Francisco
  Who Was Involved: View a list of parties involved in the design and construction of the Museum as well as the members of the case study team What Were the Team's Milestones: View assignments for the UC Berkeley Building Stories (A229B) and Internship (A128) classes What was Found: View the case study team's initial findings regarding the key issues defining the project

 

Fall 2002 Department of Architecture
UC Berkeley

 

Compromise:
The nature of a two architect relationship involves two different sets of priorities.  H&D's primarily revolve around the design, while F&C's revolve around the efficiency of construction.  At times those priorities would conflict and each firm would have to decide the importance of the detail and whether it was worth pursuing.


Example: glazing details

A primary concept in H&D's design is that the park flow into the building.  They designed large expanses of glass with no obstructions, an element that they have used in previous work.  This involved a detail at the base of the window that is much harder to waterproof than a standard detail where the glazing ends in a raised sill.  In order to get their detail approved, H&D first had to get the client onboard from an aesthetic standpoint. They then had to develop the detail, which differs depending on the location in the building.  They then had to convince F&C and COFAM that it was functional.  They also had to justify the added expense based on the aesthetics.  This element was important to them, and they eventually got it approved.


Communication:
In order to develop the architectural design into a set of buildable documents while remaining true to the project's design intent, the working process demands clear and continuous communication. During the design phases of the project H&D was able to communicate directly with all the parties involved, but after the beginning of the CD phase, all communication had to be routed through F&C.  F&C's control is neccesary to ensure that they have a complete knowledge of the all aspects of the construction documents and so that they can coordinate all the parties to eliminate conflicts in the drawings.  While neccesary, this meant that communication was sometimes slow and circuitous as it routed through F&C.  The integrity of the design intent and the construction drawings is maintained at the expense of a timely, efficient workflow.

 

Example: loops of communication

--R&C worked directly with Mark Loughnan, Thomas Jacobs, and Chris Haas, part of the design team at H&D on both the building and tower design. Once F&C began the CD set all discussions with H&C and all decisions were coordinated thru F&C. R&C at times had difficulty getting information and dimensions from them that were required to detail their work due to the additional communication and coordination required because of the presence of both a design and prime architect. F&C was required to provide dimensions to R&C but they were being determined by H&D. Additional time is required to get approval.

 


 

Firm philosophy: design through communication and compromise